![]() For example, her face shows what could be taken to beīasic human emotions, such as happiness, sadness, fear and surprise, but this Nor human, she is seen alternatively as one or the other by the two scientists,Īnd we follow their cue. Perspective, this is achieved by consistently presenting events from Clive’s orĮlsa’s point of view. Thinks and how she experiences the world on her own terms. Later still, when she seemingly lies dying, they sit by her bedside and grieve,īut soon discover that she is a sequential hermaphrodite and is actuallyĪt no time do the two scientists attempt to understand how Dren Is suffocating, but it turns out that she has amphibian lungs and needs water. Later, when she has a choking attack they think she For instance, the scientists initially believe that theĬreature will require specific nutritional components, only to find that sheĪctually has a sweet tooth. The latter’s fixed ideas about how things work – ideas that Dren The conflict between Dren and her creators lies in The world, and shows how assumptions can mislead, often dangerously. In fact, the film focuses on the role of assumptions in our interactions with Has said that the function of good science fiction is to question assumptions, That Elsa’s perception of reality is marred by her past. “You can’tĪlways get what you want,” Elsa tells Dren, which isĪn odd reprimand to give the world’s greatest genetic discovery, and indicates The fact that Dren is a completely unfamiliar being prevents her creatorsįrom behaving in their normal way, and brings out their hidden fears andĭoubts, especially in the case of Elsa, who has a more troubled history. ![]() Human insecurities and prejudices are projected on it. Instead, she is used as a canvas that reflects whatever Dren is not treated either as anĮxperiment – objectively following a transparent procedure – or as a fellow sentientīeing, empathically. ![]() Parents), they react affectionately when their “pet” mimics them and acts inįamiliar ways, but are not so pleased when it defies their expectations andĪcts unpredictably. Half way between a pet and a child, and like many pet owners (as well as many The living conditions resemble a nuclear family The repercussions of their transgression, Elsa and Clive hide Dren in Elsa’s family farm, and the central part of theįilm unfolds around the emotional reactions that Dren’sīehavior triggers in the couple. Letter blocks, imitating the print on Elsa’s T-shirt. Recognize alphabet letters by association: in fact, the name she is given, Dren, is an anagram of “nerd,” a word she spells with Through drawing, but she does not master language. Seems to have inherited top quality genes from her diverse ancestors,Įxhibiting intelligence and capacity to learn. ThisĬreature not only grows very rapidly, suggesting a short life span, but also Of human, animal, insect, fish, and bird genes (played by Abigail Chu as aĪs an adult – both performances enhanced by computer generated graphics). Surprisingly successful and produces a live creature, a female hybrid, composed Protocol and add some human DNA into their gene-mix. Their ambitious attempts to create a new animal hybrid gene, they break The financial interests that such research carries for large pharmaceuticalĪre geneticists, researching new ways of using cell and DNA technology toĭevelop medical treatments for diseases such as Parkinson’s and Alzheimer’s.īesides being research collaborators they are also a married couple, allowingįor themes of sexuality and procreation to be crafted into the narrative. Many ways a family drama, cast against the background of genetic research and Warning that this review contains “spoilers”). Implications of seeing the elements of life as commodities? These are someĪnd well-crafted film concerned with artificially produced hybrid life (a Us, or how it resembles us? To what extent is our desire to learn howīiological life works motivated by personal or social factors? What are the With a totally different being, would we try to understand how it differs from A peer-reviewed electronic journal published by the Institute for Ethics and
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I cant dance i know you can Html.beginform mvc msdn Bar sport samba La tua cucina in miniatura de agostini Six feet. There’s plenty of emoji love to go around. Every time you swipe or tap the screen, these adorable emoji smile in response or show their love with sweet streams of animated red hearts. You can even look at the real-time forecast with satellite data, and the built-in algorithms lengthen the battery life.Įmoji Live Wallpaper offers a vibrantly colored, high-definition background starring cute and sparkly emojis. You also have the opportunity to designate effects like raindrops, light streaks, and faded colors, enabling your phone to show current conditions correctly. Weather Live presents an updated selection of climate statistics not only from your neighborhood but also from around the globe. If you would love to know when you should get your rain boots ready, find those snowshoes hidden in the back of your closet, or simply slide on your flip-flops, a changing weather wallpaper is an excellent choice. The newest version lets you set your own location for weather reporting and other thematic details. Additional options let you alter specific scenic elements, like tree leaves and the height of various hills, in addition to kinetics like scroll speed. You can choose a fixed time of day, or let the sun rise and set in sync with the local time. The free version features the themes Beach, Silent Night, Desert Migration, and Grass, each of which comes with the same customizable aesthetics. Paperland is a beautiful realization of a two-dimensional parchment world. Anne Pätzke - the artist behind the wallpaper - has designed the little creature to be subtle and enchanting, and we couldn’t agree more. 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Venus in Furby David Ivesdirected by Shana Cooperpresented in association with Arizona Theatre CompanyBroadway's sultry export hits Seattle. These two champions of Huertas - and Lizard Boy - weren’t around to see the show when it opened in a real Seattle Rep season. She, along with Manning, edited Huertas’ diary entries and helped him craft them into what became Lizard Boy. Seattle Repertory Jazz Orchestra with Jimmy Heath: The Endless Search by Seattle Repertory Jazz Orchestra, released 20 July 2010 1. Huertas wrote the show after being encouraged by the Seattle Rep’s late Artistic Director Jerry Manning in January 2012 to keep a journal and start writing a play in which he would play the cello on stage.Īnother champion of Lizard Boy was the Seattle Rep’s late Director of Education Andrea Allen. Lizard Boy opened Wednesday, April 1, in what Huertas characterized as a full-circle moment. An honors graduate of Berklee College of Music, Matheny vaulted onto the 1990s jazz scene as a protege of jazz legend Art Farmer. His former classmate, Kirsten deLohr Helland ’09, is starring alongside him in Lizard Boy. Huertas also used connections made at PLU to cast his show. ![]() “How does this language inform what the characters are going through? That’s something I’ve always been very fascinated by.” 12 hours ago &0183 &32 The Seattle Fire Department responded to 911 calls at about 12:45 p.m. Founded in 1963 and winner of the 1990 Tony Award for Outstanding Regional Theatre, Seattle Rep is currently led by Artistic Director Braden Abraham and. This mode usually gives the best results.īy appending the merge subtitle to the nearest cue, it prevents subtitles from jumping, which is caused by them appearing slightly earlier or later than the base subtitle. ![]() If there are no nearby cues, a new cue is created and added. If there are nearby cues, the merge cue will be appended to the base file cue that is the most nearby. When merging cues from the merge file into the base file, the tool will look for nearby cues that are within the specified milliseconds threshold value. The nearest cue merge is similar to the simple merge, except that you can set a nearest cue threshold value. Keep in mind that not all video players support showing subtitles on top of the screen. You can select the option to make the merge subtitle appear at the top of the screen. The cues from both files are combined into one file.Ĭue style and cue timings are not changed. ![]() Using the simple mode, the merge file will simply be merged into the base file. This tool has multiple modes for merging subtitles, they are described below. The format of the base file will not be changed. The merge file will be merged into the base file. This tool requires two files, a base file and a merge file. You can then merge subtitles for the foreign language into the original subtitle file. Merging subtitles can also be useful when your subtitles wrongly assume that the video has hard-coded subtitles for parts where a foreign language is spoken, Subtitles with multiple languages can also help when studying a new language. Multi-language subtitles are useful when watching shows with someone that has a different native language than you do. getSubtitles().Combining two subtitle files is usually used to create multi-language subtitles. addDocumentListener( this) ĭlg = new JSubEditorDialog( parent, this) setParagraphAttributes( 0, 1, set, false) set.addAttribute(StyleConstants.StrikeThrough, new Boolean(true)) SimpleAttributeSet set = new SimpleAttributeSet() * SuppressWarnings( "LeakingThisInConstructor") Private boolean ignore_style_list_changes = false Private boolean ignore_sub_changes = false + "- " + _( "Change the time resolution with / keys") + "" ![]() + "- " + _( "Add/substract timing values with / keys") + "" + "- " + _( "Change the currently selected lock with / keys") + "" + "- " + _( "Change focus from one timing to the other with the key") + "" Public final class JSubEditor extends JPanel implements StyleChangeListener, DocumentListener, Propert圜hangeListener +D (default binding)", SystemDependent. * Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA ![]() * along with Jubler if not, write to the Free Software * You should have received a copy of the GNU General Public License * GNU General Public License for more details. * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. * but WITHOUT ANY WARRANTY without even the implied warranty of * Jubler is distributed in the hope that it will be useful, * the Free Software Foundation, version 2. * it under the terms of the GNU General Public License as published by * Jubler is free software you can redistribute it and/or modify JSubEditor Class setData Method refreshStyles Method focusOnText Method setFocusOnTimeEditor Method getSubText Method getCaretPosition Method setCaretPosition Method spinnerChanged Method setSpinnerProps Method stateChanged Method stateChanged Method stateChanged Method lockTimeSpinners Method setEnabled Method setStyleListEnabled Method setLockIcon Method setUnsaved Method setAttached Method showStyle Method ignoreSubChanges Method shouldIgnoreSubChanges Method updateMetrics Method setStatus Method removeHelpWanted Method initEditMenu Method actionPerformed Method propert圜hange Method initComponents Method actionPerformed Method actionPerformed Method actionPerformed Method caretUpdate Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method actionPerformed Method ShowStyleBActionPerformed Method SubTextCaretUpdate Method TimeBActionPerformed Method panelsetVisible Method TrashBActionPerformed Method StyleListCActionPerformed Method EditBActionPerformed Method DetachBActionPerformed Method Lock3ActionPerformed Method Lock2ActionPerformed Method Lock1ActionPerformed Method ToolsLockBActionPerformed Method crossinfoActionPerformed Method changeStyle Method insertUpdate Method removeUpdate Method changedUpdate Method run Method ![]() While it seems unlikely that experiments on dogs could have such a far-reaching and long-lasting impact on psychology, that changed when Pavlov (1927) noticed he could change how dogs behaved and reacted to food (Rehman et al., 2020). ![]() Despite his focus on animal physiology, his research had a profound effect on the study of human psychology.īy stumbling across classical conditioning (sometimes referred to as Pavlovian conditioning) by accident, he significantly influenced the field of behaviorism (Gross, 2020 Rehman et al., 2020).Įven though Edwin Twitmyer had published related work a year earlier, Pavlov is widely recognized and best known for his thorough work on classical conditioning. ![]() In 1904, Ivan Pavlov was awarded the prestigious Nobel prize for his work on digestion in dogs. It is often referred to as stimulus and response psychology.Ĭonditioning forms an association between the stimulus and the response. In classical conditioning, as opposed to operant conditioning, “the stimulus is seen as triggering a response in a predictable, automatic way” (Gross, 2020). To the behaviorist, observable behavior is considered a response to stimuli (environmental events). Their focus is on learning, particularly conditioning, to the exclusion of inherited, innate factors (Gross, 2020). What Is the Classical Conditioning Theory?īehaviorists focus on the effect of the environment on human and non-human behavior. 9 Strengths & Weaknesses of Pavlov’s Theory.Classical Conditioning vs Operant Conditioning.What Is the Classical Conditioning Theory?.These science-based exercises explore fundamental aspects of positive psychology, including strengths, values, and self-compassion, and will give you the tools to enhance the wellbeing of your clients, students, or employees. This article introduces the theory, along with real-life examples, before discussing its strengths and weaknesses.īefore you continue, we thought you might like to download our three Positive Psychology Exercises for free. Pavlovian conditioning, as it was sometimes known, focused on the role of unconscious learning and the process of pairing an automatic, previously unconditioned response with a new, neutral stimulus (Rehman, Mahabadi, Sanvictores, & Rehman, 2020). It attempted to explain behavior based on the effects of the environment and learning rather than innate or inherited factors (Gross, 2020).Ĭlassical conditioning theory, discovered by Russian physiologist and Nobel prize winner Ivan Pavlov, was central to behaviorism’s success. Until the 1950s, behaviorism was the dominant school of thought in psychology. Two new books take up the case against cars, the dominant mode of twentieth-century transportation, from a generally progressive perspective. Meanwhile, the preservationist movement that stopped his worst plans is now under fire from the same progressives who used to despise him. Even our local effort to cast “master builder” Robert Moses as a unique culprit in the story of what went wrong in New York-too many expressways and not enough trains-runs into the fact that Moses was essentially executing ideas that nearly all reformers of his era shared what happened in New York happened in other big Northern cities at the same time. That this is, at best, a very partial truth does not weaken its claim on our consciousness. People always maintain, similarly, that the big auto manufacturers killed L.A.’s once efficient public-transit system, leaving the city at the mercy of polluting and gridlocked cars. People routinely insist, without evidence, that the wide boulevards of Paris were built by Baron Haussmann to prevent revolutionary barricades, even though boulevards were a nearly universal feature of urban development in the later nineteenth century Philadelphia built them extravagantly, and Kansas City boasted that it had more boulevards than Paris, without any Communards to cannonade. And so the history of roads and what runs on them often ignores the tragedies of good intentions and the comedies of unintended consequences that genuinely got them going. Perhaps because transportation histories take place on such a big scale, they tend to be highly moralizing: we can be amused by the small gradations in how we eat, but major alterations in how we move must have, we think, some cause or even conspiracy behind them. Any insular New Yorker instantly “gets” Paris and its Métro it’s harder for us to “get” Los Angeles. The weary and wary faces of Daumier’s people, in his images of “Les Transports en Commun,” are still familiar. The Paris Métro and the New York subway, built at roughly the same time, undergird two cities where people ate and made love in different ways but remained modern, in large part, because they moved rapidly in units. Food tastes can change from decade to decade, even from year to year the history of transportation tends to span half-century intervals, marking whole epochs in consciousness. The history of transportation will always be social history, writ large. Read our reviews of notable new fiction and nonfiction, updated every Wednesday. Cars are for poets and outlaws, the subway for the intimidated and the enslaved. Allen Ginsberg’s “ Howl” pities those “who chained themselves to subways for the endless ride from Battery to holy Bronx on Benzedrine / until the noise of wheels and children brought them low,” while dreaming wetly of the glories of the open road, which leads to sex, possibly with an idealized version of Neal Cassady, subsequently memorialized as Kerouac’s irresistible Dean Moriarty. In Jack Kerouac’s “ On the Road,” the car was the vehicle of liberty for the bohemian kids of those working-class Brooklynites. ![]() Yet it was also in the mid-fifties that the hipsters and beatniks and rebels feverishly celebrated the car and the burst of autonomy, even anarchy, it offered to postwar life. ![]() Public transportation was the self-evident bedrock of working-class life. What’s striking is that no one watching in the fifties needed to think about any of this. When Ed and Ralph go to Minneapolis for a Raccoons convention, they take a sleeper car on a train. Neither the Kramdens nor the Nortons seem to own an automobile. ![]() He and his best friend, Ed Norton (Art Carney), who works in the sewers, make daily use of the subway and bus system, which was designed to whisk the outer-borough working classes into light-industrial Manhattan. His employer is the Gotham Bus Company, which seems to be the sort of private-public enterprise that, like the I.R.T., built the subways. Ralph Kramden (Jackie Gleason) is a New York City bus driver, deeply proud to be so and drawing a salary sufficient to support a nonworking wife in a Brooklyn apartment, not to mention a place in a thriving bowling league and membership in the Loyal Order of Raccoon Lodge. “The Honeymooners” (1955-56), the greatest American television comedy, is-to a degree more evident now than then-essentially a series about public transportation in New York. ![]() The Oscar winner obviously had a change of heart, as she now shares a home in Nashville with her husband, Jim Toth. The movie is a fantasy, of course, but Witherspoon has said that Melanie's struggles actually mirror some of her own experiences as a Louisiana-born, Tennessee-raised actress trying to make it in Hollywood. The only solution is to return to Pigeon Creek and get the divorce finalized, but because this is a romantic comedy, that's not how things between Melanie and Jake play out. The problem is that she's already married - to Jake Perry (Lucas), the childhood sweetheart who was supposed to have divorced her years ago but never signed the papers. That plan seems to be working out for her until she gets engaged to Andrew Hennings ( Patrick Dempsey), the wealthy son of NYC's mayor ( Candice Bergen). Witherspoon stars as Melanie Smooter, a New York City fashion designer who hides her Pigeon Creek, Alabama, origins by using the last name "Carmichael." "Small-town girl moves to the big city and forgets her roots" is a plot so clichéd at this point that it shows up in about 90 percent of made-for-TV Christmas movies, but in Sweet Home Alabama, it just works. You can't take the honky-tonk out of the girl! Sweet Home Alabama became a classic rom-com almost as soon as it hit theaters in 2002, thanks to the charm - and chemistry - of leads Reese Witherspoon and Josh Lucas. 'Sweet Home Alabama' Cast: Where Are They Now? Keep scrolling to see what the cast of Sweet Home Alabama has been up to since the movie premiered in 2002: Sign up for Us Weekly's free, daily newsletter and never miss breaking news or exclusive stories about your favorite celebrities, TV shows and more! “And I feel really like that movie really encapsulated those ideas. You want to leave home and then you realize that there’s so many important things about the closeness of family or people who knew you before,'” she recalled in 2018. ![]() “When I was going through Sweet Home Alabama, I was like, ‘This is exactly how so many young people feel. When I was 18, I was like, ‘I am out of here! I am never coming back!’” “Because no matter how much you love where you’re from, when you get a little bit older, you get nostalgic for it. “When I read the script I was like, ‘Do these people know my life story?’” she said during a Town Hall event in 2018. In order to view the video, please allow Manage Cookies The movie is a fantasy, of course, but Witherspoon has said that Melanie’s struggles actually mirror some of her own experiences as a Louisiana-born, Tennessee-raised actress trying to make it in Hollywood. The only solution is to return to Pigeon Creek and get the divorce finalized, but because this is a romantic comedy, that’s not how things between Melanie and Jake play out. ![]() ![]() The problem is that she’s already married - to Jake Perry (Lucas), the childhood sweetheart who was supposed to have divorced her years ago but never signed the papers. That plan seems to be working out for her until she gets engaged to Andrew Hennings ( Patrick Dempsey), the wealthy son of NYC’s mayor ( Candice Bergen). Witherspoon stars as Melanie Smooter, a New York City fashion designer who hides her Pigeon Creek, Alabama, origins by using the last name “Carmichael.” “Small-town girl moves to the big city and forgets her roots” is a plot so clichéd at this point that it shows up in about 90 percent of made-for-TV Christmas movies, but in Sweet Home Alabama, it just works. You can’t take the honky-tonk out of the girl! Sweet Home Alabama became a classic rom-com almost as soon as it hit theaters in 2002, thanks to the charm - and chemistry - of leads Reese Witherspoon and Josh Lucas. ![]() These services include official recommendations, and oftentimes allocation guidance, to create a well-diversified section of your portfolio. The Motley Fool’s portfolio services are designed around the idea of our members investing together. The Motley Fool offers three categories of premium subscription services: You may view our list of regular subscription services here: Our analysts who contribute to our free content on are allowed to disagree with the official recommendations provided in our premium services. While we provide analysis of these stocks, it is up to our members to decide what to invest in. The Motley Fool’s premium subscription services may have differing investment strategies that influence what stocks the analysts recommend. To view our premium service offerings, please go to /services.Įach of our premium services are comprised of a different set of analysts who may have differing opinions on one particular stock recommendation. You will need an active subscription to any of our premium services to access this content. Our premium content is restricted to members who have purchased a Motley Fool subscription. Our free content is written by Motley Fool analysts, as well as analysts who contract with The Motley Fool. While the analysts who contribute to our free content may speak highly or negatively of a stock, this does not indicate an official position by The Motley Fool. Our free content does not include official recommendations, while our premium services do. Our free content includes but is not limited to: articles on, our YouTube channel, and our podcasts. You will not need to create an account to view our free content. The Motley Fool offers both free and premium content. Have an investing question, or interested to see other investors take on a topic? Jump into the boards by joining the Motley Fool Community. If you're looking to track your portfolio or stocks on your radar, sign-in and head over to your Watchlist. Prior to jumping into a premium subscription service, check out our articles on How To Invest. The Motley Fool provides general guidance for all experience levels - whether you are just getting started, or are looking to reevaluate/ reallocate an existing portfolio. Interested in seeing how this strategy has worked for us? Check out our premium services to see the returns compared to the S&P 500. When we recommend stocks, it is with this timeline in mind. The Motley Fool wants to alleviate as much investment anxiety as possible by maintaining a long term buy and hold outlook of 5 years - minimum. Our products and services, whether free or fee-based, from our podcasts to our premium subscriptions, are designed to help the world take control of their financial lives with confidence.Īfter decades spent studying and investing in the stock market, our greatest piece of advice is short and sweet: the longer the outlook, the better the returns. ![]() The Motley Fool's services provide a wide array of financial research and vetted stocks for every investment style. ![]() So I decided that FFmpeg should explicitly ignore and remove meta data, including chapters, and my tool would create new and customized tags afterwards. Manipulating the meta data with Mp3Tag had become an essential element of my workflow and my own tool would have to offer similar features, but much more automated. While defaults are a very good idea for the audio stream - where Open Audible intervenes, hence the different bit rate -, I don't think they are suitable for meta data.īefore I created AAX Audio Converter, I still used the official workflow with iTunes, burning to (virtual) CD, transcoding to MP3, and post-processing with mp3DirectCut and Mp3Tag. Open Audible does not touch meta data, it just leaves this to FFmpeg. Now, with meta data, there is a fundamental difference between AAX Audio Converter and Open Audible. Windows Explorer may me similar, but that's still unconfirmed. There is some evidence that VLC and MediaInfo ignore this and look at embedded chapter info instead. If you look into it with FFmpeg, the duration will be reported correctly. After some comparison of meta data with FFmpeg and MediaInfo I now believe, with some additional testing yesterday, that these two - and Windows Explorer - take the duration from meta data, not from the stream itself. This VLC phenomenon is on my todo list for a long time, but your observation gave it the necessary kick for proper investigation. I think we look at two different effects here. Whereas the one made with OA is perfect, nothing is cut and the length is precisely 11:05:27. Maybe this can give you some clue.ģ) Out of curiosity, I tried AAC without chapter splitting, and both issues above still exist (length 11:09:33). ![]() You're right about VLC quickly adjusting you'll see the first few seconds in the timer rushing very fast, though I don't think VLC is what's causing the problem, because the length of the file is already part of the meta info shown in Windows Explorer or the Details tab.Ģ) I also noticed the Opening Credits for this book should be 00:27, the part extracted by AAC is only 00:25 and the "This is Audible" is completely absent and the music at the very start is distorted. I can confirm the chapter lengths below aax chapters: are exactly what OpenAudible uses, which is actually not very good because it causes the Opening Credits to be lumped with Chapter 1, and also the End Credits Preview Copyright to be lumped with Chapter 18 (the last chapter).ĪAC the on other hand obviously uses the chapter lengths below content meta chapters: which is much superior. The additional info you've requested are now in the same link above.ġ) I had a look in the log. The log file should should provide more details. I haven't found out the reason for that yet but I have seen the phenomenon before. It also can be something with the mp3 meta data. However, it appears that VLC may do its own timing estimate, independent of the entry in the playlist, but often quickly adjusts. Or even better: Can you activate logging (run AAX Audio Converter with command line argument "-Log=3" and send me the log file as well (see manual for details).įor books downloaded with the Audible App, the program will look for the associated context_metatada.json file and retrieve chapter timings and chapter names from there (AAX files themselves do no not normally have chapter names.) So timings should match. mp3 files.Ĭan you send me the content metadada.json as well? (Default path: C:\Users\AppData\Local\Packages\AudibleInc.AudibleforWindowsPhone_xns73kv1ymhp2\LocalState\filescache). TL DR- Just use OpenAudible 1.6.7 offline, as a converter for. Second, it's stated on the website The older versions will cease working in the near future, which suggests in the future, connecting to the internet may compromise our current version by forcing an upgrade. First, to prevent that annoying pop-up asking you to purchase the new version. I also went into Windows Firewall and created inbound/outbound rules to block OpenAudible from accessing the internet.You'll still see all the information on your audiobooks, sans "Rating" and "Genre".Now you can convert them into mp3 files as usual, and split them into chapters etc.No need to be connected to the internet at all. axx files (or you can simply drag them into OpenAudible). aax files (if you want, copy them somewhere, so you don't accidentally mess with the original files). ![]()
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